#STEVE JOBS 2015 MOVIE STREAM HOW TO#
In 1991, Berners-Lee published the first-ever webpage, which was basically just filled with instructions on how to actually use the World Wide Web. To achieve it, Berners-Lee wrote three technologies-URL, HTML, and HTTP-that would help create a user-friendly interface for the internet that allowed it to enter everyday use within two or three years. Carolyn Schaefer/Liaisonįirst proposed by British computer scientist Tim Berners-Lee in 1989 to find a better way for scientists to share data, the World Wide Web is a collection of web pages that are accessible through the network of computers called the internet ( World Wide Web and internet aren't interchangeable terms). Fassbender and his co-stars all do exceptional work and Sorkin delivers a number of wonderful scenes, but at the end of the day I can't help but walk away feeling like Jeff Daniels' character, mourning for the things that could've been achieved.Just '90s internet stuff.
#STEVE JOBS 2015 MOVIE STREAM MOVIE#
There's a lot of talent involved in this movie that I really wanted to love. In the final act, Jobs has a very clunky reconciliation on the rooftop and says things that simply don't fit right with the story.
Then all of a sudden he's a caring father and the girl's mother (played wonderfully by Katharine Waterston) is portrayed as the film's villain. He is vehemently opposed to being Lisa's father and hurts the little girl by saying the computer was not named after her. I didn't care much for the story arc Jobs went on. Sadly, Sorkin starts to get too smart for his own good. When you've seen them a couple of times, they lost impact right where they're needed most. It's also annoying to see Sorkin recycle his classic Sorkinisms "Don't talk to me like I'm other people" and "well one day you'll have to tell us how you did it". Some of the lines of dialogue are so pretentious its easy to get taken out of the film. However, Sorkin's screenplay at times feels like a textbook, and with so many words floating around its easy to lose track of what's happening. The film's best scenes are written masterpieces - two fights between Jobs and Wozniak in particular take your breath away, a harsh comment where Jobs cuts down his 5 year old girl's beliefs are harsh, the recurring references to Jobs' adoption are clever and the two Andys joke is a nice funny recurring gag. The screenplay is Steve Jobs' greatest aider and abetter. I also loved the playful score and the cinematography that emulates the walk and talk of the West Wing. There's even a very cleverly used Simpsons gag that helps inform the audience. The transition between the three events are also clever, montages of real media reports and pictures. Its been reported on a million times and all I'll say is I loved it.
Probably the most talked about feature of Steve Jobs is the three-act narrative filmed in different styles. Jeff Daniels rounds out the four-person highlight as Apple's CEO, and truly stands out as a great supporting player. We all know that one friend who feels like they're doing us a favour by being friends with us, and watching Fassbender and Rogen banter back and forth we can see it in real time. Watching Rogen perform we can see his anger but also the slight plea for their friendship to endure. Seth Rogen crushes the role of Steve Wozniak, a casting choice I've been thrilled about since 2014, nailing the low self-esteem and nervous ticks of the nerdy genius. Her chemistry with Fassbender is palpable.
Winslett also makes her mark very early on, nailing an accent and vanishing into the part of Johanna. His condescension is so real that we snarl at it. He looks nothing like Jobs himself did but he perfectly captures the frustrating ego that everyone loathed and matches it with high spirit and a bit of humour. On the film's highlights - Fassbender leaps off the screen in the first two minutes and never lets go. There's all the things to love about Aaron Sorkin's writing and the acting is terrific, but Sorkin's screenplay lacks the enjoyable bite of his previous efforts and the whole thing comes off rather lacklustre. Steve Jobs fails to explode off the screen like The Social Network or Charlie Wilson's War did.
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